MVFF47 - RSVP Guide

Brimming with insight, French-Senegalese filmmaker Mati Diop’s imaginative and pointed hybrid documentary depicts the story of 26 antiquities returned to Benin by France, the country’s former colonizer.

French-Senegalese filmmaker Mati Diop follows up her sensational narrative debut Atlantics with this imaginative and pointed hybrid documentary about artistic repatriation and colonialism that took the top prize at the 2024 Berlin Film Festival. In presenting the story of 26 antiquities returned to Benin (which contained the Kingdom of Dahomey) by its former colonizer, France, the film sensuously details the packing up and shipping of these cultural artifacts in coruscating fashion. There’s the work of the curators in both countries sending, receiving, and detailing the work; there’s Beninese students’ impassioned reaction to this “too-little-too-late” French apologia; and then there’s the imagined dialogue from one of the pieces, a magisterial wood-carved statue of King Gezo, as he travels back to his homeland. Brimming with insight and inferred hope for future reparations, Diop memorably depicts this perhaps small but nevertheless singular moment of cultural exchange and apology.