MVFF47 - RSVP Guide

It is said that Native Americans of the Great Plains had “over 500 purposes for the buffalo body,” including lodging, clothing, bedding, and food—no part went unused. There was also a spiritual element to the tribes’ connection to these magnificent creatures. When the US and Canadian governments sought to seize traditional tribal lands, they encouraged extermination of the species to help eradicate the preexisting human populace. Within a short period, only 1,000 buffalo remained out of a population that previously numbered 30 million. This stunningly photographed documentary, narrated by recent Oscar-nominee Lily Gladstone (Killers of the Flower Moon), chronicles latter-day efforts by her Blackfoot peoples to reintroduce wild herds into landscapes that haven’t seen their like in generations. It’s a long, labored process beset by political and logistical challenges. But the spectacular views of Glacier National Park and other locations near our northern border make even that struggle a joy to behold. —Dennis Harvey
 
Directors: Ivan MacDonald, Ivy MacDonald, Daniel Glick
Initiative: Mind the Gap
Country: UK
 
Ivan MacDonald is an Emmy-winning filmmaker based in Montana. He is an enrolled member of the Blackfeet tribe. His most recent project, Murder in Bighorn, premiered at the 2023 Sundance Film Festival and was a Film Independent Spirit Award for Best Non-Scripted Television Series. He is an inaugural fellow for the Netflix and illuminative Producers Fellowship, and is also inaugural recipient of the Hulu and Firelight Kindling Fund.

Ivy MacDonald is a director, producer, screenplay writer, and cinematographer based in Montana. She is an enrolled member of the Blackfeet tribe. In late 2023 she co-wrote and co-directed her first narrative short film, Buffalo Spirit, which will premiere later this year. She also helped produce Murder in Bighorn, which premiered at the 2023 Sundance Film Festival and aired nationally on Showtime. Ivy won an Emmy for her producing work on the 2020 ESPN shot Blackfeet Boxing: Not Invisible. She is currently directing and shooting for When They Were Here.

Daniel Glick is a director, writer, producer, cinematographer, and editor. For his short film, Iniskim (2019), he was nominated for directing, producing, and photography Emmys, winning for photography. His first feature documentary film, A Place to Stand (2014) won two Telly Awards. He has directed and produced several dozen short and branded documentaries. Three of his most recent personal projects were Our Last Refuge (2017), Iniskim, and Bring Them Home/Aiskótáhkapiyaaya, all short films set on the Blackfeet Reservation that he worked on with Blackfeet tribal members.



Expected In Person Guest

Crumbling Druid Heights, a once-thriving bohemian enclave near Mill Valley, could face the wrecking ball. Longtime resident Ed Stiles recalls a vibrant community and details its outsized influence on countless disparate 20th-century cultural movements.

Tucked inside Muir Woods near Mill Valley lies crumbling Druid Heights, a once-thriving bohemian enclave. Founded by famed lesbian poet Elsa Gidlow and Roger Somers, a gifted carpenter who made “wibbly, wobbly architecture” inspired by Frank Lloyd Wright and others, Druid Heights today is in danger of falling under a National Park Service wrecking ball. Ed Stiles, a longtime resident and skilled furniture maker, gives an oral history of the property, recounting its rich influence on Beats such as Allen Ginsberg and Jack Kerouac; philosopher Alan Watts, whose book The Way of Zen was instrumental in spreading the popularity of Buddhism in the United States; and rock artists including Neil Young and Graham Nash. With archival footage of the burgeoning hub and contemporary video of its slow decline into disrepair, Stiles takes the viewer on a tour through some of the biggest cultural movements of the 20th century, and Druid Heights’ place in them.

Walk beside Zen Buddhist priest and social activist Roshi Joan Halifax on her path to empower women and indigenous people in this magnificent, emotionally bracing documentary.

Take the rare and extraordinary opportunity to walk beside Zen Buddhist priest and social activist Roshi Joan Halifax on her path to empower women and indigenous people. This visually magnificent and emotionally bracing documentary charts an intimate pilgrimage with the Nomads Clinic—a team of Western, Nepali, and Tibetan healthcare workers—to deliver free medical care in the most remote regions of the Himalayas. Halifax, in her late 70s, spends 28 days hiking arduous miles, sharing wisdom and practical guidance with her team, and fostering cultural and spiritual exchange with the communities they serve. She also turns directly to the camera to deliver hard truths about gender equality and the relatable “kind of wrath” awakened in her as she observes increasingly selfish and harmful behavior in our societies. Like Joan, the film inspires a desire for peace and a spur toward positive action through service, generosity, and fearlessness.

Expected In Person Guest

Long celebrated in Europe, the US is just discovering one of the 20th century’s defining artists, Tamara de Lempicka. Working mother, feminist, style icon, and bisexual libertine, Lempicka embodied Art Deco’s spirit and portrayed high society women in boldly erotic terms that broke the male gaze. Encouraged by her grandmother, young Tamara emerged as a prodigious talent who combined cubism, classicism, and surrealism to reinvent the female figure, not as object but as protagonist. In this riveting documentary, Bay Area filmmaker Julie Rubio fills in the surprising contours of a remarkable life and talent with never-seen-before home movies and other artifacts, while descendants, curators, and art historians cite reinvention as the survival strategy of the artist who painted the modern woman into being. Fleeing war and authoritarianism, she supported herself and her daughter by living true to her own vision. This documentary is a must-see while anticipating Lempicka’s first major US retrospective at the de Young Museum in October.

A political thriller, character drama, and clarion call to action, this riveting documentary portraying resistance to Hungary’s authoritarian ruler Viktor Orbán is perfectly relevant for this political moment.

Tracking the parallel struggles of a politician, a journalist, and a medical professional, all female, in their resistance to the authoritarian regime of Hungary's autocratic leader, Viktor Orbán, director Connie Field's (The Whistleblower of My Lai, MVFF41) riveting documentary is part political thriller, part character drama, and part clarion call to action. While there are a lot of big ideas at play, Fields expertly knows when to narrow her focus and when to broaden it, allowing for an absorbing experience that feels painfully real and exceedingly personal while never losing sight of the larger stakes for the country should these women fail. What makes Democracy Noir especially effective is its universality. The situation in Hungary isn't an abstract thing that occurred in the distant past. It's happening right now, and as the film makes clear, it could happen anywhere. Democracy Noir feels especially relevant for this particularly fraught political moment, all while pointing out larger social truths that remain timeless. —Zaki Hasan

Connie Field

Expected In Person Guest