MVFF47 - RSVP Guide

A woman discovers the corpse of her uncle, a man who caused her considerable pain, in this darkly funny portrait of Zambia’s matriarchal society that grippingly explores the younger generation’s desire to break free from the sins of the past.

Death and secrets permeate writer-director Rungano Nyoni’s dazzling second feature, the winner of Best Director in the Un Certain Regard sidebar at the Cannes Film Festival. Driving through the night after a party, Shula (Susan Chardy) happens across the corpse of her Uncle Fred. That she’s learned that he’s dead isn’t shocking—that she doesn’t care at all is. A portrait of Zambia’s matriarchal society and the lingering emotional scars left behind by sexual abuse, On Becoming a Guinea Fowl combines dark comedy and bruising drama—absurdism and stripped-down realism—to investigate lies that have smothered Shula’s family for years. The filmmaker of 2017’s equally stellar I Am Not a Witch continues to demonstrate an ability to craft modern parables that grapple with both history and a younger generation’s desire to break free from the sins of the past. Funerals have rarely been so cathartic. —Tim Grierson

Rungano Nyoni

Iranian writer-director Mohammad Rasoulof won the FIPRESCI Prize and a special jury award at this year’s Cannes Film Festival for this gripping drama about the paranoia that slowly eats away at one Tehran family. Misagh Zareh stars as Iman, a seemingly honorable man recently promoted to investigating judge, which brings with it a hefty raise and a bigger apartment for him, his wife, and daughters. But he soon realizes he’s made a Faustian bargain—his new job requires him to sign the death warrants of protesters—which angers the women in his family. Meticulously building in tension until it becomes a harrowing thriller, the film is the latest act of defiance from Rasoulof (There Is No Evil), jailed several times by Iranian authorities for his politically outspoken films. (In fact, he fled the country to avoid imprisonment prior to Sacred Fig’s premiere.) The filmmaker’s fury and sorrow suffuse his latest stunner, which brilliantly details how an oppressive regime obliterates the souls of its citizens.